MARK PLESENT COMMISSION FUND DEVELOPMENTAL READINGS 2024

Featuring:
Stripping & Tripping on Mother’s Milk by AG Norton
Trying to Get My Act Together by Alex Rodriguez

Directed by:
Liz Peterson
Kelly O’Donnell

Join us for the invited readings of new plays from our 2024-2025 Mark Plesent Commission Fund recipients, AG Norton and Alex Rodriguez. As the culmination of their commission, we invite our Working Theater community to join us in supporting the development of these brand-new one-act plays and the playwrights behind them as they hear their work out loud for the first time with an audience. The evening runs approximately 2 hours and 15 minutes, and includes a post-show facilitated conversation with our playwrights. There will be a brief intermission between the two plays. Reservations are on a first come, first served basis, and space is limited. Please use the link below to save your space today.

Reserve Space

These pieces were commissioned through the Mark Plesent Commission Fund. Learn more about our 24-25 recipients and mentors here. 

About the Plays

Stripping & Tripping on Mother’s Milk by AG Norton

Stripping & Tripping on Mother’s Milk is a time traveling acid trip two strippers embark on inside a prison cell they share with the reincarnation of Mary Magdalene in 1970’s America. A hybrid of theater and radical performative art which explores service, intersectional queer feminist voices, and contains a transmission from the Divine Feminine. (Audience note, no need to pack bubbles. Bubbles will be provided. The Circus of Healing welcomes you.)

Trying to Get My Act Together by Alex Rodriguez

Victor, on the verge of reentering the workforce, is searching for direction in a world filled with distractions, uncertainty, and self-doubt. Through intimate conversations and encounters, he confronts the pressures of modern life while trying to find his place. Trying to Get My Act Together explores the universal struggle for meaning, connection, and clarity in a rapidly changing world.

A.G. Norton is a storyteller, archivist, and queer activist with over 20 years experience working in service to others as a Social Worker & End of Life Doula. Norton’s winding career path has seen her work as a Children’s Rights Specialist in London, an outreach worker at the Brooklyn Public Library for patrons experiencing homelessness, and an outdoor educator & emotional exposure coach with young adults.

Returning to New York in 2018, Norton discovered her family’s personal connection to Berenice Abbott and a number of candid shots of the famous photographer. The impact of the photographic legacies she inherited have fueled 3 years of archival research and interviews with people in Berenice’s orbit, which in turn propelled Norton to write, perform, and tour storytelling slideshows based on her journey.

Describing her work as intersectional and subversive, Norton views performance through the lens of service with an opportunity for activism and meaningful catharsis.

Norton thanks her biggest teachers in life which have been middle school children, people at the end of their life, and those friends and fellow peformers she has made in the sex work industry. They have each shown grace, resilience, and the kind of authenticity one locates at the jugular of life.

Alex Rodriguez is a lifelong New Yorker, Alex has always been deeply impacted by the wealth gap that exists within the five boroughs. He is committed to empowering and educating marginalized communities across the city. Following his completion of the PathwaysToApprenticeship Program, Alex joined the IBEW Local 3, advocated at City Hall for adequate funding of similar programs, and has been published several times in the Red Hook Star Revue. He proudly serves his community through his involvement with the Brooklyn Networks Program, and has also channeled his experiences into writing, producing two plays with WorkingTheater, “Sparks of Uncertainty” and “Smoke & Mirrors”. Alex also loves his mom very, very much. 

Kristina Wong (AG’s Mentor) is a performance artist, comedian and writer who has been presented internationally across North America, UK, Hong Kong and Africa.  Her most notable solo works include “Wong Flew Over the Cuckoo’s Nest,” “The Wong Street Journal,” and “Kristina Wong for Public Office.”  “Kristina Wong, Sweatshop Overlord” premiered at New York Theater Workshop and won the Drama Desk, Outer Critics Circle and Lucille Lortel Awards for Outstanding Solo Performance and is a Pulitzer Prize Finalist in Drama. She’s a Doris Duke Award Award Winner and Guggenheim Fellow who has been supported by among others, Creative Capital, The MAP Fund, ASU Gammage Artist Residency, Joan D. Firestone Commissioning Fund from En Garde Arts, Art Matters and the Kennedy Center Social Practice Residency. www.kristinawong.com

John J. Caswell, Jr. (Alex’s Mentor) is a playwright from Arizona, a recent fellow at Juilliard’s Lila Acheson Wallace American Playwrights Program, and the recipient of the Paula Vogel Playwriting Award at the Vineyard Theatre. His play Wet Brain (Playwrights Horizons + MCC) won the L. Arnold Weissberger New Play Award as well as the OBIE Award for Best Direction and Creative Team. It was the most nominated play of the 2024 Lucille Lortel Awards and took home the prize for Best Scenic and Projection designs. Wet Brain also received nods from the Outer Critics Circle, The Drama League, and The Relentless Award. Other recently produced plays include Man Cave (Page 73) and Scene Partners (Vineyard Theatre) starring Dianne Wiest. Honors include the Jean Kennedy Smith Playwriting Award, the Rita and Burton Goldberg Playwriting Prize, a MacDowell Fellowship, a SPACE on Ryder Farm Creative Residency, and the Page 73 Playwriting Fellowship.