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The Great Labor Day Classic
New York Premiere
by Israel Horovitz
directed by Robert Owens Scott
with Janet Aspers, Joseph Daly, Greg Giordano, Earl Hagan, Jr., Kristina Loggia and Nicola Sheara
INTAR Stage II
Montana
New York Premiere
by David Kranes
directed by Richard Bly
with Janet Aspers, Spring Aspers and Marisa Redanty
INTAR Stage II
Mac Terrance Muldoon’s Dress Rehearsal
World Premiere
by John Heller
directed by Stephen Rosenfield
with Robert Arcaro, Bill Corsair, Johnny Kline, Honour Molloy and Jackie Reingold
INTAR Stage II
San Antonio Sunset
World Premiere
by Will Holtzman
directed by John Pynchon Holms
with Dennis Green, Earl Hagan, Jr. and Bill Mitchelson
INTAR Stage II
Walking Papers
World Premiere
by Michael Stephens
directed by William Alderson
with Honour Molloy and Ron Stetson
INTAR Stage II
Breakdown
New York Premiere
by Bill Bozzone
directed by Peter Zapp
with Jonathan Lipnick and Nelson Simon
INTAR Stage II
Comrades
World Premiere
by Elizabeth Diggs
directed by Gabrielle Roth
with Janet Aspers, Laralu Smith and Ron Stetson
INTAR Stage II
How Women Break Bad News
New York Premiere
by John Bishop
directed by Lee Costello
with Johnny Kline and Robin Polk
INTAR Stage II
Asleep on the Wind
World Premiere
by Ellen Byron
directed by Kent Paul
with Danielle Du Clos and Earl Hagan, Jr.
INTAR Stage II
Deep Sleepers
World Premiere
by Charles Leipert
directed by JoAnna Beckson
with Robert Arcaro, Mary Daciuk, Robin Polk and Ron Stetson
“The idea is that a writer can say more-or at least, as much-in a brief period of time, if he limits his scope. . ..The Great Labor Day Classic is a pithy example of the form .. .for the sedentary audience the play can be a vicarious experience . . . San Antonio Sunset takes a look at the values. . . it establishes the bleak, blues-like atmosphere of the period and takes a prismatic view of its characters. The acting is accomplished and the steady direction is by John Pynchon Holms.” Mel Gussow, The New York Times, May 27, 1987